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Sweet Silver Bells by Rochelle Alers

By Rochelle Alers

Short encounter…or perpetually love?


Being selected to layout luxurious inns in Charleston is a occupation coup for privileged Crystal Eaton. assembly charismatic company legal professional Joseph Cole-Wilson is an unforeseen bonus. till one passion-filled evening in Joseph's penthouse adjustments her existence perpetually.


Haunted by means of sensual thoughts, Joseph can't settle for their short-lived liaison as a onetime fling. And whilst an opportunity come upon reunites him with the Florida good looks, the Cole inheritor vows she won't break out a moment time. Even after gaining knowledge of Crystal's mystery, Joseph is aware not anything can dim his hope. He'll turn out it with candy phrases of affection which may make this a Christmas to recollect.

If she'll simply say yes…

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Example text

As with many regional identities, scenery, weather, dialect, humour and food probably inform many people’s sense of Yorkshire when the region is seen from a distance. Such attributes construct a regional aesthetic and reputation that oversimplifies and stereotypes, yet remains recognisable in its mix of pride, resilience and playful self-deprecation. For over 35 years (1973–2010), the BBC comedy, Last of the Summer Wine, helped to brand an English region using landscapes and lives that focused on Holmfirth and the Holme Valley (Betton, 2005: 22, 153).

However, while the accents have their origins in Ford’s ancestral home, the setting does not. Filming on an 80-acre set in what is now Malibu Creek State Park in California, with the peaks of the Goat Buttes clearly visible, Ford returns Wales to Richard Wilson’s Arcadia and the alpine sublime of the Gwynedd of the Romantics. This, again, is landscape as national redoubt. This can be evidenced in the opening frames of Huw’s flashback, which establishes the village as being above the valley floor with the land falling away on all sides to offer elevation and thus picturesque views all around.

Everyday Places and How to Find Them. In J. Schofield and R. Szymanski (eds) Local Heritage, Global Context. Cultural Perspectives on Sense of Place (London: Routledge), 13–32. Clifford, S. and King, A. (2006) England in Particular. A Celebration of the Common Place, the Local, the Vernacular and the Distinctive (London: Hodder and Stoughton). Cresswell, T. (2006) Place. A Short Introduction (Oxford: Blackwell). 34 Heather Norris Nicholson Doel, M. (2008) From Animated Photography to Film: The Formation of Vernacular Creativity in Early English Films, 1895–1908.

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