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Colters' Lady (Colters' Legacy, Book 2) by Maya Banks

By Maya Banks

Can their love supply her the energy to beat the tragedy in her past?

Colters' Legacy, e-book 2

When police officer Seth Colter sees the fragile, shabbily dressed good looks in line on the soup kitchen the place he's serving, he's intestine shot over the belief of her being at the streets chilly and by myself. extra baffling is the darkish, possessive intuition that tells him she belongs to him.

For Lily Weston, house is a secluded corner in a again alley—until Seth deals her a spot to stick. She's cautious of his supply, yet even one evening out of the chilly is just too a lot temptation to resist.

Seth is confident Lily is his. the matter is, while his brothers lay eyes on her, an identical primitive intuition comes roaring to the skin. The Colters by no means imagined they'd persist with the radical direction in their fathers, yet they can't forget about their mutual have to provide Lily their protection—and their love. yet sooner than Lily and the brothers can forge a destiny jointly, they need to heal the deep wounds of her past.

Warning, this name includes the subsequent: specific intercourse, photo language, a number of companions, ménage a quatre, violence.

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Extra resources for Colters' Lady (Colters' Legacy, Book 2)

Sample text

As with many regional identities, scenery, weather, dialect, humour and food probably inform many people’s sense of Yorkshire when the region is seen from a distance. Such attributes construct a regional aesthetic and reputation that oversimplifies and stereotypes, yet remains recognisable in its mix of pride, resilience and playful self-deprecation. For over 35 years (1973–2010), the BBC comedy, Last of the Summer Wine, helped to brand an English region using landscapes and lives that focused on Holmfirth and the Holme Valley (Betton, 2005: 22, 153).

However, while the accents have their origins in Ford’s ancestral home, the setting does not. Filming on an 80-acre set in what is now Malibu Creek State Park in California, with the peaks of the Goat Buttes clearly visible, Ford returns Wales to Richard Wilson’s Arcadia and the alpine sublime of the Gwynedd of the Romantics. This, again, is landscape as national redoubt. This can be evidenced in the opening frames of Huw’s flashback, which establishes the village as being above the valley floor with the land falling away on all sides to offer elevation and thus picturesque views all around.

Everyday Places and How to Find Them. In J. Schofield and R. Szymanski (eds) Local Heritage, Global Context. Cultural Perspectives on Sense of Place (London: Routledge), 13–32. Clifford, S. and King, A. (2006) England in Particular. A Celebration of the Common Place, the Local, the Vernacular and the Distinctive (London: Hodder and Stoughton). Cresswell, T. (2006) Place. A Short Introduction (Oxford: Blackwell). 34 Heather Norris Nicholson Doel, M. (2008) From Animated Photography to Film: The Formation of Vernacular Creativity in Early English Films, 1895–1908.

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