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Blood Brothers (The Sign of Seven Trilogy, Book 1) by Nora Roberts

By Nora Roberts

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This fascinating new trilogy, a chilling story of 3 conflict opposed to an more and more strong horror from hell, could have you ready breathlessly for every new installment.

The nightmare starts with rumors of eerie happenings in Hawkins hole that draw reporter Quinn Black to the small, outwardly normal-looking city. Is it precise a few form of incipient evil is afoot? Caleb Hawkins, a descendent of the cities founders, understands the reply. all of it started whilst he was once a tender boy and he and his acquaintances, in a gesture of brotherhood, combined their blood on the historic Pagan Stone. in some way they published a robust demon that has because come to the fore each seven years, making the townsfolk do unspeakable acts they later don't keep in mind. yet Cal does. while he meets Quinn, theyre either triumph over through an charm of such depth its transparent they have been destined to return jointly in ardour and function: to struggle for the survival of a city possessed.

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Extra resources for Blood Brothers (The Sign of Seven Trilogy, Book 1)

Sample text

Il giovane descrive la nonna a qualcuno. Nel quadro successivo la nonna si occupa dell'orto parlando con il giardiniere. Se nella terza situazione e nella quarta lo scrittore continua a «stare» con Teresa, allora anche il primo quadro apparterrà a questo gruppo di scene e il racconto 5° DA LONTANO prefigura la donna come protagonista. Se invece nel terzo e nel quarto quadro lo scrittore ritorna al nipote, sarà lui il portatore lessicale della storia e quindi il protagonista. Nel caso in cui, invece, c'è alternanza apparentemente casuale di scene (una volta con la nonna, una volta con il nipote o con tutti due insieme) e a un certo punto un terzo personaggio, magari il giardiniere, litiga con la moglie in casa sua per ragioni estranee ai protagonisti, il lettore prenderà ideale «contatto» con il narratore (con colui che sceglie i quadri) e il racconto avrà la forma della terza persona pura.

Ma dopo un attimo di smarrimento, l'uomo la rincorre e entra in chiesa. Lei sale precipitosamente la scala che porta verso la sommità del campanile. , ecco riaffiorare il vecchio male: le vertigini. Non ce la fa: tutto vortica intorno a lui, la testa gli gira a mille. La macchina da presa gli sta sempre «addosso», come ha sempre fatto dall'inizio del film. E li per vedere se Scottie riuscirà a salvare la donna. Purtroppo il poveretto resta pateticamente paralizzato sulla scala. E nel bel mezzo dei giramenti di testa vede, oltre un'arcata del campanile, il corpo di Madeleine che precipita inesorabilmente nel vuoto.

Ecco però che la macchina da presa non si ferma accanto all'ex poliziotto. Sale su in cima per fotografare il suicidio della donna (e per la rivelazione del mistero). Si ferma a debita distanza, per inquadrare una scena sorprendente: sulla terrazza, ad aspettare la ragazza c'è l'amico di Scottie, il ricco Gavin Elster. Questi tiene immobilizzata una donna che indossa lo stesso abito di Madeleine e mentre Kim Novak raggiunge la terrazza, l'uomo spinge di sotto la sua vittima, che vola con un urlo nel vuoto.

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