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Billionaire's Contract Engagement / Money Man's Fiancée by Maya Banks, Michelle Celmer

By Maya Banks, Michelle Celmer

Billionaire’s agreement Engagement

Billionaire businessman Evan Reese had sought after her for 6 months. Now Celia could accompany him to attractive Catalina for a relations marriage ceremony. There he could wine, dine and seduce the beautiful advert executive…for he knew she wanted him. but how could she react while Evan instructed her she’d be enjoying the function of his pretend fiancée?

Money Man’s Fiancée Negotiation
Finally, Ash Williams had stumbled on his runaway mistress. Melody Trent couldn’t even take note him, yet Ash was firm to find the reality. Had he fathered her baby? And the single approach to convey her to his domestic was once to assert her as his fiancée – no matter if she had no reminiscence of him whatever!

[b]KINGS OF THE BOARDROOM they wish the precise girls to soften their steel-hard hearts!

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Extra info for Billionaire's Contract Engagement / Money Man's Fiancée Negotiation (Kings of the Boardroom, Books 3-4)

Sample text

Il giovane descrive la nonna a qualcuno. Nel quadro successivo la nonna si occupa dell'orto parlando con il giardiniere. Se nella terza situazione e nella quarta lo scrittore continua a «stare» con Teresa, allora anche il primo quadro apparterrà a questo gruppo di scene e il racconto 5° DA LONTANO prefigura la donna come protagonista. Se invece nel terzo e nel quarto quadro lo scrittore ritorna al nipote, sarà lui il portatore lessicale della storia e quindi il protagonista. Nel caso in cui, invece, c'è alternanza apparentemente casuale di scene (una volta con la nonna, una volta con il nipote o con tutti due insieme) e a un certo punto un terzo personaggio, magari il giardiniere, litiga con la moglie in casa sua per ragioni estranee ai protagonisti, il lettore prenderà ideale «contatto» con il narratore (con colui che sceglie i quadri) e il racconto avrà la forma della terza persona pura.

Ma dopo un attimo di smarrimento, l'uomo la rincorre e entra in chiesa. Lei sale precipitosamente la scala che porta verso la sommità del campanile. , ecco riaffiorare il vecchio male: le vertigini. Non ce la fa: tutto vortica intorno a lui, la testa gli gira a mille. La macchina da presa gli sta sempre «addosso», come ha sempre fatto dall'inizio del film. E li per vedere se Scottie riuscirà a salvare la donna. Purtroppo il poveretto resta pateticamente paralizzato sulla scala. E nel bel mezzo dei giramenti di testa vede, oltre un'arcata del campanile, il corpo di Madeleine che precipita inesorabilmente nel vuoto.

Ecco però che la macchina da presa non si ferma accanto all'ex poliziotto. Sale su in cima per fotografare il suicidio della donna (e per la rivelazione del mistero). Si ferma a debita distanza, per inquadrare una scena sorprendente: sulla terrazza, ad aspettare la ragazza c'è l'amico di Scottie, il ricco Gavin Elster. Questi tiene immobilizzata una donna che indossa lo stesso abito di Madeleine e mentre Kim Novak raggiunge la terrazza, l'uomo spinge di sotto la sua vittima, che vola con un urlo nel vuoto.

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