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Baby, Hold On (Southern Roads, Book 3.5) by Stephanie Bond

By Stephanie Bond

Soldier Mike Nichols has come to Sweetness, Georgia, for one cause: to get aid for his bothered black Lab, a adorned rescue puppy, on the town's new army puppy education facility. He doesn't anticipate to be talked about puppy groomer Lacey Lovejoy instead!

Straitlaced Mike and free-spirited Lacey couldn't be extra various. but the longer he works with Lacey, the extra his charm to her grows. They conflict usually, yet their heated encounters additionally result in a steamy evening jointly that leaves them either reeling.

But whilst Lacey's task is completed and it's time for Mike to maneuver on, can their animal appeal become an enduring partnership?

A Southern Roads sequence novella.

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Extra resources for Baby, Hold On (Southern Roads, Book 3.5)

Sample text

As with many regional identities, scenery, weather, dialect, humour and food probably inform many people’s sense of Yorkshire when the region is seen from a distance. Such attributes construct a regional aesthetic and reputation that oversimplifies and stereotypes, yet remains recognisable in its mix of pride, resilience and playful self-deprecation. For over 35 years (1973–2010), the BBC comedy, Last of the Summer Wine, helped to brand an English region using landscapes and lives that focused on Holmfirth and the Holme Valley (Betton, 2005: 22, 153).

However, while the accents have their origins in Ford’s ancestral home, the setting does not. Filming on an 80-acre set in what is now Malibu Creek State Park in California, with the peaks of the Goat Buttes clearly visible, Ford returns Wales to Richard Wilson’s Arcadia and the alpine sublime of the Gwynedd of the Romantics. This, again, is landscape as national redoubt. This can be evidenced in the opening frames of Huw’s flashback, which establishes the village as being above the valley floor with the land falling away on all sides to offer elevation and thus picturesque views all around.

Everyday Places and How to Find Them. In J. Schofield and R. Szymanski (eds) Local Heritage, Global Context. Cultural Perspectives on Sense of Place (London: Routledge), 13–32. Clifford, S. and King, A. (2006) England in Particular. A Celebration of the Common Place, the Local, the Vernacular and the Distinctive (London: Hodder and Stoughton). Cresswell, T. (2006) Place. A Short Introduction (Oxford: Blackwell). 34 Heather Norris Nicholson Doel, M. (2008) From Animated Photography to Film: The Formation of Vernacular Creativity in Early English Films, 1895–1908.

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